Dated: 28 May 2025
There’s a moment, just before the sun crests the horizon on Tasmania’s east coast, when the world feels completely still. The air is crisp, the sea is calm, and the fiery orange lichen that blankets the granite boulders at the Bay of Fires seems to glow from within. It’s a landscape photographer’s dream—and one of my favourite places in Australia to shoot.
Stretching from Binalong Bay in the south to Eddystone Point in the north, the Bay of Fires is a breathtaking fusion of coastal wilderness, impossibly clear turquoise waters, and those iconic burnt-orange rocks. It’s a place that rewards both wide-angle vistas and intimate detail work. Every visit reveals new compositions shaped by tides, weather, and shifting light.
While you can photograph the Bay of Fires year-round, autumn and early winter are my preferred seasons. The light tends to be softer, the sun rises at a more civilised hour, and there are fewer people around. Mornings are especially magical—the interplay of golden light and the vibrant lichen creates a warm, almost surreal palette against the cool tones of sea and sky.
1. Golden Hours are Gold:
Sunrise and sunset provide the best light to accentuate the colour and texture of the rocks. Scout your compositions the day before if you can, and be ready to shoot before first light.
2. Embrace Simplicity:
With such a dynamic foreground, don’t feel the need to cram too much into the frame. A lone rock or the curve of a bay can be more powerful than a cluttered scene.
3. Long Exposures:
On calmer days, a neutral density filter allows for beautiful long exposure work. The motion of the sea contrasts beautifully with the stillness of the rocks.
4. Watch the Tide:
The intertidal zone at the Bay of Fires can create incredible reflections and patterns, but be mindful of slippery surfaces and rising tides.
5. Don’t Forget the Details:
Close-ups of the lichen-covered granite, patterns in the sand, and textures in weathered driftwood all make for compelling images.
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